Work

Research projects

Design

Sulien Books

Image by Martin Crampin.

Professional design and photographic services

Photography: selected publications


Gregory A. Ryan, Hermeneutics of Doctrine in a Learning Church: The Dynamics of Receptive Integrity (Brill, 2020).
• cover photograph

Martin Crampin, Depicting St David (Y Lolfa, 2020).
• photography and design throughout

C.L. Rugg, My Journey Back to Heaven: Gabriel’s Story (AuthorHouse, 2019).
• cover photograph

Martin Crampin, Stained Glass at the Church of St Peter, Carmarthen (Sulien, 2018).
• photography and design throughout

Phyllis Weliver, Mary Gladstone and the Victorian Salon: Music, Literature, Liberalism (Cambridge University Press, 2017).
• cover photograph

Martin Crampin & John Hammond, Stained Glass at the Church of St Peter, Lampeter (Sulien, 2017).
• photography and design throughout

Cover of Trysorau Cudd/Hidden Gems.

J.O. Hughes, Catherine Hughes & Avril Lloyd, Trysorau Cudd: Gwydr Lliw yn Santes Gwenllwyfo, Dulas, Môn / Hidden Gems: Stained Glass at the Church of St Gwenllwyfo, Anglesey (Sulien, 2016).
• photography and design throughout

Emma Wells, Pilgrim Routes of the British Isles (Robert Hale, 2016).
• 4 photographs

James Pierce, The Life and Work of William Salesbury (Y Lolfa, 2016).
• cover photograph

Martin Crampin, Stained Glass at Hafod (Sulien, 2016).
• photography and design throughout

Gareth Atkins (ed.), Making and Remaking Saints in Nineteenth-century Britain (Manchester University Press, 2016).
• 1 photograph

Peter Lord, John Cyrlas Williams: Y Gwanwyn Byr / A Brief Flowering (Oriel Plas Glyn-y-Weddw, 2016).
• photography throughout

Peter Lord, The Tradition: A New History of Welsh Art 1400–1990 (Parthian, 2016).
• 15 photographs

Arthur Rope, Margaret Rope of Shrewsbury: Stained-Glass Artist in the Arts & Crafts Movement (Pangapilot, 2016).
• 2 photographs

Sara Elin Roberts, Jasper: The Tudor Kingmaker (Fonthill, 2015).
• 5 photographs including cover

Nicola Gordon Bowe, Wilhelmina Geddes: Life and Work (Four Courts, 2015).
• 11 photographs

Adam Chapman, Welsh Soldiers in the Later Middle Ages (Boydell and Brewer, 2015).
• cover photograph

Janet Burton & Karen Stöber, Women in the Medieval Monastic World (Brepols, 2015).
• cover photograph

Jenny Daggers, Christian Doctrines for Global Gender Justice (Palsgrave, 2015).
• cover photograph

Janet Burton & Karen Stöber, Abbeys and Priories of Medieval Wales (University of Wales Press, 2015).
• 28 photographs (& 4 maps)

Martin Crampin, The Medieval Tiles of Strata Florida (Sulien, 2014).
• photography and design throughout

Gumfreston Church, used in the book on the stained glass at St Mary's, Tenby.

Martin Crampin, Stained Glass from the Church of St Mary the Virgin, Tenby (The Friends of St Mary's, Tenby, 2014).
• photography and design throughout

Martin Crampin, The Medieval Grotesques of Gresford (Sulien, 2014).
• photography and design throughout

Martin Crampin, Stained Glass from Welsh Churches (Y Lolfa, 2014).
• photography and design throughout

Janet Burton and Karen Stöber, Monastic Wales: New Approaches (University of Wales Press, 2013).
• 3 photographs

Martin Crampin Stained Glass Windows in Llanfihangel Genau'r Glyn Church (Wendall Publications, 2013).
• photography and design throughout

Jonathan Wooding and Nigel Yates, A Guide to the Churches and Chapels of Wales (University of Wales Press, 2011).
• 12 photographs

Martin Crampin, Stained Glass in Wales Database (2011 and ongoing).
• over 7,000 photographs (shares many photographs with the Imaging the Bible in Wales Database)

Cover of A Vision Fulfilled.

Maurice Broady (edited by Elspeth Broady and Alun Adams), A Vision Fulfilled: The Story of Celtic Studios and Swansea's architectural glass tradition (West Glamorgan Archive Service, 2010).
• 67 photographs & design

Matthew Saunders, Saving Churches (Frances Lincoln, 2010).
• 17 photographs, including cover image

Martin O'Kane & John Morgan-Guy (eds.), Biblical Art from Wales (Sheffield Phoenix Press, 2010).
• over 200 photographs

Barry Cunliffe and John T. Koch (eds.), Celtic From the West: Alternative Perspectives from Archaeology, Genetics, Language and Literature (Oxbow, 2010).
• no photographs but numerous illustrations (maps, diagrams and interpretations of Tartessian inscriptions)

Martin Crampin, Imaging the Bible in Wales (DVD-ROM) (Sheffield Phoenix Press, 2010).
• over 600 photographs & design

Peter Lord, The Meaning of Pictures (University of Wales Press, 2009).
• 5 photographs

John Morgan-Guy, 'Fiery Angels and Country Parsons', Icon News, issue 20, January 2009, 18–22.
• 10 photographs

Martin Crampin, 'Imaging the Bible', The Reader, vol. 105, no. 4, Winter 2008, 22–3.
• 6 photographs & text.

Martin Crampin & John Morgan-Guy, Imaging the Bible in Wales Database (2008 and ongoing).
• over 7,000 photographs

John Morgan-Guy, 'Imaging the Bible', Carmarthenshire Life, Spring 2008, 18–19.
• 5 photographs

Martin O'Kane (ed.), Imaging the Bible: An Introduction to Biblical Art (SPCK, 2008).
• 7 photographs

Barry Lewis, Prosiect Beirdd yr Uchelwyr/The Poets of the Nobility Project (University of Wales Centre for Advanced Welsh and Celtic Studies, 2007).
• numerous photographs & design

Peter Lord, The Visual Culture of Wales: Medieval Vision (CD-ROM) (University of Wales Press, 2004).
• numerous photographs throughout

Peter Lord, The Visual Culture of Wales: Medieval Vision (University of Wales Press, 2003).
• 5 photographs

Peter Lord, The Visual Culture of Wales: Imaging the Nation (CD-ROM) (University of Wales Press, 2002).
• numerous photographs throughout

Peter Lord, The Visual Culture of Wales: Industrial Society (CD-ROM) (University of Wales Press, 2000).
• numerous photographs throughout

 

See also list of published written work.

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