Photography: selected publications
Gregory A. Ryan, Hermeneutics of Doctrine in a Learning Church: The Dynamics of Receptive Integrity (Brill, 2020).
• cover photograph
Martin Crampin, Depicting St David (Y Lolfa, 2020).
• photography and design throughout
C.L. Rugg, My Journey Back to Heaven: Gabriel’s Story (AuthorHouse, 2019).
• cover photograph
Martin Crampin, Stained Glass at the Church of St Peter, Carmarthen (Sulien, 2018).
• photography and design throughout
Phyllis Weliver, Mary Gladstone and the Victorian Salon: Music, Literature, Liberalism (Cambridge University Press, 2017).
• cover photograph
Martin Crampin & John Hammond, Stained Glass at the Church of St Peter, Lampeter (Sulien, 2017).
• photography and design throughout
J.O. Hughes, Catherine Hughes & Avril Lloyd, Trysorau Cudd: Gwydr Lliw yn Santes Gwenllwyfo, Dulas, Môn / Hidden Gems: Stained Glass at the Church of St Gwenllwyfo, Anglesey (Sulien, 2016).
• photography and design throughout
Emma Wells, Pilgrim Routes of the British Isles (Robert Hale, 2016).
• 4 photographs
James Pierce, The Life and Work of William Salesbury (Y Lolfa, 2016).
• cover photograph
Martin Crampin, Stained Glass at Hafod (Sulien, 2016).
• photography and design throughout
Gareth Atkins (ed.), Making and Remaking Saints in Nineteenth-century Britain (Manchester University Press, 2016).
• 1 photograph
Peter Lord, John Cyrlas Williams: Y Gwanwyn Byr / A Brief Flowering (Oriel Plas Glyn-y-Weddw, 2016).
•
photography throughout
Peter Lord, The Tradition: A New History of Welsh Art 1400–1990 (Parthian, 2016).
• 15 photographs
Arthur Rope, Margaret Rope of Shrewsbury: Stained-Glass Artist in the Arts & Crafts Movement (Pangapilot, 2016).
• 2 photographs
Sara Elin Roberts, Jasper: The Tudor Kingmaker (Fonthill, 2015).
• 5 photographs including cover
Nicola Gordon Bowe, Wilhelmina Geddes: Life and Work (Four Courts, 2015).
• 11 photographs
Adam Chapman, Welsh Soldiers in the Later Middle Ages (Boydell and Brewer, 2015).
• cover photograph
Janet Burton & Karen Stöber, Women in the Medieval Monastic World (Brepols, 2015).
• cover photograph
Jenny Daggers, Christian Doctrines for Global Gender Justice (Palsgrave, 2015).
• cover photograph
Janet Burton & Karen Stöber, Abbeys and Priories of Medieval Wales (University of Wales Press, 2015).
• 28 photographs (& 4 maps)
Martin Crampin, The Medieval Tiles of Strata Florida (Sulien, 2014).
• photography and design throughout
Martin Crampin, Stained Glass from the Church of St Mary the Virgin, Tenby (The Friends of St Mary's, Tenby, 2014).
• photography and design throughout
Martin Crampin, The Medieval Grotesques of Gresford (Sulien, 2014).
• photography and design throughout
Martin Crampin, Stained Glass from Welsh Churches (Y Lolfa, 2014).
• photography and design throughout
Janet Burton and Karen Stöber, Monastic Wales: New Approaches (University of Wales Press, 2013).
• 3 photographs
Martin Crampin Stained Glass Windows in Llanfihangel Genau'r Glyn Church (Wendall Publications, 2013).
• photography and design throughout
Jonathan Wooding and Nigel Yates, A Guide to the Churches and Chapels of Wales (University of Wales Press, 2011).
• 12 photographs
Martin Crampin, Stained Glass in Wales Database (2011 and ongoing).
• over 7,000 photographs (shares many photographs with the Imaging the Bible in Wales Database)
Maurice Broady (edited by Elspeth Broady and Alun Adams), A Vision Fulfilled: The Story of Celtic Studios and Swansea's architectural glass tradition (West Glamorgan Archive Service, 2010).
• 67 photographs & design
Matthew Saunders, Saving Churches (Frances Lincoln, 2010).
• 17 photographs, including cover image
Martin O'Kane & John Morgan-Guy (eds.), Biblical Art from Wales (Sheffield Phoenix Press, 2010).
• over 200 photographs
Barry Cunliffe and John T. Koch (eds.), Celtic From the West: Alternative Perspectives from Archaeology, Genetics, Language and Literature (Oxbow, 2010).
• no photographs but numerous illustrations (maps, diagrams and interpretations of Tartessian inscriptions)
Martin Crampin, Imaging the Bible in Wales (DVD-ROM) (Sheffield Phoenix Press, 2010).
• over 600 photographs & design
Peter Lord, The Meaning of Pictures (University of Wales Press, 2009).
• 5 photographs
John Morgan-Guy, 'Fiery Angels and Country Parsons', Icon News, issue 20, January 2009, 18–22.
• 10 photographs
Martin Crampin, 'Imaging the Bible', The Reader, vol. 105, no. 4, Winter 2008, 22–3.
• 6 photographs & text.
Martin Crampin & John Morgan-Guy, Imaging the Bible in Wales Database (2008 and ongoing).
• over 7,000 photographs
John Morgan-Guy, 'Imaging the Bible', Carmarthenshire Life, Spring 2008, 18–19.
• 5 photographs
Martin O'Kane (ed.), Imaging the Bible: An Introduction to Biblical Art (SPCK, 2008).
• 7 photographs
Barry Lewis, Prosiect Beirdd yr Uchelwyr/The Poets of the Nobility Project (University of Wales Centre for Advanced Welsh and Celtic Studies, 2007).
• numerous photographs & design
Peter Lord, The Visual Culture of Wales: Medieval Vision (CD-ROM) (University of Wales Press, 2004).
• numerous photographs throughout
Peter Lord, The Visual Culture of Wales: Medieval Vision (University of Wales Press, 2003).
• 5 photographs
Peter Lord, The Visual Culture of Wales: Imaging the Nation (CD-ROM) (University of Wales Press, 2002).
• numerous photographs throughout
Peter Lord, The Visual Culture of Wales: Industrial Society (CD-ROM) (University of Wales Press, 2000).
• numerous
photographs throughout
See also list of published written work.